REI's Wall of Litho Stones

Second half of the wall Aaron Netsky (Used With Permission)

Wall of litho stones Aaron Netsky (Used With Permission)

They were discovered behind the wall of the cellar during renovation Aaron Netsky (Used With Permission)

A high school diploma Aaron Netsky (Used With Permission)

A certification of election in the City of New York Aaron Netsky (Used With Permission)

Some of the stones have pictures in addition to words, as this mortgage bond does Aaron Netsky (Used With Permission)

Some are in worse shape than others Aaron Netsky (Used With Permission)

A very old litho stone Aaron Netsky (Used With Permission)

First half of the wall Aaron Netsky (Used With Permission)

One of the flywheels from the steam engine that powered the presses Aaron Netsky (Used With Permission)

The governor from the steam engine that powered the presses Aaron Netsky (Used With Permission)

cait7911 (Atlas Obscura User)

tylercole (Atlas Obscura User)

cait7911 (Atlas Obscura User)

Litho Stones Guru Chill (Atlas Obscura User)

In 2011, while the REI store in the Puck Building in Manhattan’s SoHo district was undergoing renovation, workers made an unexpected discovery. Hidden behind one of the walls of the cellar were more than 100 lithography stones from the building’s days as a printer. They are now on display on the store’s lower floor.

The historic building got its name from the magazine Puck, the first wide-reaching humor publication in the United States, which was founded in 1871 and moved to lower Manhattan in 1887. It shared the space, in a mutually beneficial relationship, with its printer, J. Ottman Lithographic Company. Their shared headquarters was the largest building in the printing district at the time.

J. Ottman Lithographic Company printed many things beyond the Puck magazines, including theatrical posters and board games. Among the works now hanging on the REI wall are a high school diploma, a certificate of election, and a mortgage bond. Some of the litho stones are in rougher shape than others.

Most of the writing and images on the stones is “backwards,” standard practice so that the final print is the reverse of what is seen on the plate or stone. Some, though, were prepared for offset printing, which involves an additional step between the plate and the final product. The inked image, prepared “forwards,” or as it would be seen in the final product, is first transferred to a rubber blanket, reversing the image once, and then to the final surface, setting it right.

Puck continued to operate out of the Puck Building until 1918, when it ceased publication. It was known for beautiful, full-color lithographs and sharp political satire. Statues of the magazine’s mascot, Puck, decorate the outside of the building. J. Ottman Lithographic Company shuttered around the same time. Other printing companies, and even another satirical magazine, have called the building home since the original tenants left.

During REI’s renovation, a deliberate effort was made to repurpose materials from the original building. Fixtures from the steam engine that powered the presses are on permanent display, including two flywheels and the governor. Nineteenth century I. P. Frink chandeliers, newly fitted with LED lights, help light the main floor.